Three of pentacles

Three of pentacles

हिंदी के लिए कृपया यहाँ क्लिक करें
Purchase Here on Amazon
Purchase Here on Flipkart
Purchase Here on +91 9723106181

The Upright Readings

abilities, approval, effort, Teamwork, collaboration, learning, implementation.

This man is 'two arms' Lord Vishwakarma. He is the creator of the world and its architect. This card reflects your good quality of the 'ability'. Your knowledge and understanding are very different from other people. People have not understood you and your powers. You have God's approval and 'support'. Your effort will give you the best results.

Your hard work is fruitful. You have to develop a good team. You have to take the help of others. Keep learning from everyone. The implementation of each work should be rock solid to get the best results in the world.

The Reverse Readings

preoccupation, ambitions, Disharmony, misalignment, working alone.

You might get busier on projects, or in domestic work. There may also be a loss of health. Your ambitions will increase. Ambition is not bad. But avoid the monstrous ambitions. It is an alarm of increasing the animosity. Maybe your relationship, people, will test you. You may find the wrong alignment of work. Be careful, you may have to work alone. Keep more emphasis on teamwork.

Three of The pentacles

European Tarot card study points:

An artisan is standing on a wooden bench.

Three pentacles have lost their color and free identity. In this card, three pentacles are not black with a yellow background.

They are white on black background embedded in the wall.

The Church building is dark inside; the artisan is holding a yellow round hammer and chisel, talking with two humans.

A yellow dress woman and a man in white are showing something to the artisan.

Ancient Indian Tarot card study points:

A robust young man is working on a mother's statue with a child in her arms. He already has finished creating two temples from one stone. He has completed one temple on the hills. Two temples are crowned by two pentacles and one pentacle is in the hands of the mother's statue. The Child is playing with it.

The young stout man is Vishvakarma with two arms. He is the creator of the buildings, statues in heaven and on earth. After getting the pressure of creating many buildings, Vishvakarma was blessed with two more arms.

Then his image with four arms with age-old gray hairs was very popular. Due to his vast creations, he is worshipped as a god of creations.

(Detail story.)

Lord Sri Vishvakarma is the origin of all sculptures, the creator of the varied architecture of this universe, and the source of all forms, names, and actions. He existed even before creation and is the cause of not only the cycle of creation, sustenance, and destruction but even the condemnation and grace later on. He keeps Mother Gayatri in his heart and has provided refuge at His feet for Saraswati, the Goddess of Knowledge. Preoccupied with the dharma of their duties, Vishnu, Shiva, Brahma, and other Gods rely on Him for their powers and are His instruments.

He is beyond description (nirguna) and formless (niraakaara). He is as high as the Meru Mountain and is seated on an effulgent seat. He is adorned with bracelet, armlet, gem-studded garlands, a crown decked with divine gems, earrings, and yellow clothing. He shines like lightning and dazzles all the eyes that try to see Him. He is also known as Prajapati and Hiranyagarbha. The clouds are his vehicle.

Through a yajna, he created the universe and is the first yajnakartru. He is like the divine kalpavriksha and fulfills the desires of devotees who surrender. He is everlasting and is the ultimate truth. He is called the Lord of speech by Vedarshis. He is the ocean of origin for all the Veda agamas. He is equally versatile in gyana and karma yogas and can be considered to be the tattvic origin of all divine forms.

He is the priest who makes offerings to the sacrificial fire, the father who created everything, and the one who protects and nurtures everything. He is the cause for all the worlds to be glowing with prosperity and the one in whom all the worlds converge just the way all the spokes of a chariot wheel converge at the center. The closing of His eyelids signifies the end of the world and His auspicious glance is the cause of creation.

The Svayambhu Vishvakarma is honored not only for the creation of the universe but also for having initiated sacrifice and then given the example by sacrificing himself. In later times when he assumes the form of Tvastra Brahma, and in this new position of hierarchy his role is relegated to an architect of the gods. He built the heavens and palaces to gods, such as Indra’s Vyjayanta, Kubera’s, and then Ravana’s Lanka, Pandava's palace at Indraprastha. He design and built Indraprapuri, Yampuri, Varunpuri, Kuberpuri, Pandavpuri, Sudamapuri, Shivmandalpuri, etc. have were created by Indrapuri, Yampuri, Varunpuri, Kuberpuri, etc. As Tvashtri, he created many of the chariots, including that of Pushpaka of Kubera.

He takes pride in preparing suitable and appropriate weapons to gods that included the thunderbolt of Indra, the lance of Kartikeya, the trident of Siva, and the discus of Vishnu. It is believed that when the part of Surya’s substance fell blazing, Vishvakarma put on the lathe and created the strongest weapon synonyms to the power of these gods. Varahamihira, in Brhat Samhita, while introducing a chapter on architecture mentions the three architects namely, Vishvakarma, Maya, and the Kama, who have given the architectural vision of dwelling places for gods.

The temple is built in the likeness of the universe and is a reduced image. The temple is looked upon as descended from, and in his sphere alike to, concerning the making of the universe, Vishvakarma is the working, Brahma the thinking aspect of the Supreme Principle’. Varahamihira in the chapter on the Glory of Indra’s Banner describes the jewels offered by the Gods to decorate the Indra Dhvaja. Amongst all the gods, the first to offer an ornament red like the Asoka flowers and of quadrangular form was Vishvakarma, the celestial architect and followed by Siva, Indra, Yama, Varuna, Vayu, Skanda, Agni, Surya, Tvasta, Visve Gods, Guru, Shukra, and other sages. These ornaments are taken as the celestials are presided before the Indra-Dhvaja.

This establishes the supreme place of Vishvakarma in the order and cadre of the deities worshipped in any of the auspicious occasions or temple festivals.

Lord Vishwakarma generated a place to live for 84 lakh (hundred thousand) yonis (Species).